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All In Good Time

by Blues Lawyer

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Salary 01:53
Crystal Ball 02:13
Late Bloomer 01:33
Elusive Eden 02:20
I Won't 01:39
Make Up 02:07 video
Wrong Time 02:20
Understood 01:32
Scenic Route 03:13
Tangled Mess 02:49


Oakland band Blues Lawyer joins Dark Entries for their third full-length, All in Good Time, a record of pop-rock songs about living in a world that wants to put your existence on the clock. Blues Lawyer was formed in 2017 as an outlet for guitarist/vocalist Rob I. Miller and drummer Elyse Schrock to write pop songs outside of the strictures of their other groups. Following 2018’s Guess Work and 2019’s Something Different, Blues Lawyer had “graduated from being a side project band, a sort of throwaway project, to actually being a legitimate band,” according to Miller. Under the backdrop of global pandemic and existential crisis, they set about recording their new record. Says Miller, “I have always been really attracted to the way we measure time, especially in relationship to our concepts of what we are supposed to have achieved. There’s a lot of different moments on the record where we’re interrogating this whole value system that comes along with it—determining my worth because of where I’m at in my life in relation to my age, in my love life, in my career.”
All in Good Time finds Blues Lawyer moving away from the Flying Nun-influenced jangle pop of their earlier work towards a 90’s alternative rock sound imbued with melancholy of the Lemonheads and Teenage Fanclub. Miller and Schrock agree that this is their first record approached with intentionality, each member having spent their time in pandemic-enforced isolation, honing their songcraft and penning sharp hooks. With the addition of bassist Alejandra Alcala and guitarist Ellen Matthews, Blues Lawyer has become more unabashedly riff-centric, bringing a controlled wildness to the new songs, as evidenced by Matthews’ single-take guitar solo on album closer “Tangled Mess”. This is also the first record on which Schrock and Miller share songwriting duties, with Schrock’s earnest contributions balancing out Miller’s more sardonic approach. Schrock’s optimism particularly shines on the Heavenly-esque “Late Bloomer” as she sings “A late bloom is worth the wait.”. All in Good Time reveals Blues Lawyer as a band ready to stake a meaningful claim in a world that rewards insincerity.
- Mariana Timony


released February 17, 2023

Elyse Schrock (Drums/Vocals)
Rob I. Miller (Vocals/Guitars)
Ellen Matthews (Guitars)
Alejandra Alcala (Bass/Backing Vocals)

Tracks 1, 2, 4, 6, 7, 9, 10, 11, and 14 written by Rob I. Miller
Tracks 5 and 12 written by Elyse Schrock
Tracks 3 and 13 written by Elyse Schrock and Rob I. Miller
Track 8 written by Elyse Schrock and Richard Alex Olsen

Produced by Blues Lawyer and Andrew Oswald
Engineered by Andrew Oswald at
Santo Recording in Oakland
Mixed by Andrew Oswald at
Paradise Records in Los Angeles
Mastered by Greg Obis at Chicago Mastering Service
Design and Illustration by Eloise Leigh
Cover Photo by Marisa Bazan

SPECIAL THANKS TO: Josh Cheon, Andrew Oswald, Richard Alex Olsen, Lauren Brookhart, Down at Lulus, Scott Johnston, Nat McBride,
and Eloise Leigh


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Blues Lawyer Oakland, California

internationally ignored song stylists

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